Please click advertisement INSIDE this URL if you like this video: tinyurl.com FULL: tinyurl.com Baldwin made his film debut with a minor role in the 1987 film Forever, Lulu. Also in 1988, he appeared in Beetlejuice and Working Girl. He gained further recognition as a leading man with his role as Jack Ryan in The Hunt for Red October (1990). Baldwin met his future wife Kim Basinger when they played lovers in the 1991 film The Marrying Man. He appeared with Basinger again in The Getaway, a 1994 remake of the 1972 Steve McQueen film of the same name. Next, in a brief role, Baldwin played a ferocious sales executive in Glengarry Glen Ross (1992), a part added to the film version of David Mamet’s Pulitzer Prize-winning stage play. Later that year, he starred in Prelude to a Kiss with Meg Ryan, which was based on the Broadway play. The film received a lukewarm reception by critics and grossed only million worldwide. In 1994, Baldwin made a foray into pulp fiction-based movies with the role of the title character in The Shadow. The film made million. In 1996 and 1997, Baldwin continued to work in several thrillers including The Edge, The Juror and Heaven’s Prisoners. Baldwin shifted towards character acting, beginning with Pearl Harbor in 2001. He played Lt. Col. James Doolittle in the film, which, with a worldwide box office of 9220945, remains the highest grossing film Baldwin has appeared in his acting career. Baldwin was nominated for an Academy Award, a Golden …
Video Rating: 5 / 5

A funny radio advert from the game Grand Theft Auto: San Andreas.

The “Sweet Child O’ Mine” video depicts the band rehearsing in an abandoned theater, surrounded by crew members. Several of the band members’ girlfriends were shown in the clip. Izzy Stradlin’s dog was also featured. The video was extremely successful on MTV, and helped launch the song to success on mainstream radio. In an effort to make “Sweet Child O’ Mine” more marketable to MTV and radio stations, the song was cut from 5:56 minutes to 4:12, with much of Slash’s guitar solo removed. This move drew the ire of the band members, including Axl Rose, who commented on it in a 1989 interview with Rolling Stone: “I hate the edit of ‘Sweet Child o’ Mine.’ Radio stations said, “Well, your vocals aren’t cut.” “My favorite part of the song is Slash’s slow solo; it’s the heaviest part for me. There’s no reason for it to be missing except to create more space for commercials, so the radio-station owners can get more advertising dollars. When you get the chopped version of ‘Paradise City’ or half of ‘Sweet Child’ and ‘Patience’ cut, you’re getting screwed.”[7] On an interview on Eddie Trunk’s New York radio show in May 2006, Axl Rose stated that his original concept for the video focused on the theme of drug trafficking. According to Rose, the video was to depict an Asian woman carrying a baby into a foreign land, only to discover at the end that the child was dead and filled with heroin. This concept was rejected by Geffen Records. There is also an alternative video for “Sweet Child …
Video Rating: 4 / 5

For Dr. Strangelove’s Media Industries class (CMN 3165) This video will outline the evolution of technology of the past century into our modern day. We touch upon newspapers, radio, television, music and internet and how they have transformed our lives and how they have developed into what they are today. Half of the video is concerned with the technological aspect of “gadgets” themselves and the other half focuses on consumer behaviour. Livingstone, Sonia. (2004). The Changing Audiences: Or, What is the Audience Researcher to Do in the age of the Internet. European Journal of Communication, 19(1), 75-86. Palser, Barb. (2009). Stopping the Presses. American Journalism Review, 31(3), 44 Berman, Saul. Shipnuk, L. Duffy, N. (2006) The end of TV as we know it: A future industry perspective. IBM Institute for Business Value study. Klein, Bethany. (2008) The New Radio: Music Licensing as a Response to Industry Woe. Media, Culture & Society, 30(4), 463478. Klein, Bethany. (2009) As Heard on TV: Popular Music in Advertising. Aldershot: Ashgate.
Video Rating: 5 / 5

CAIR National Communications Director Ibrahim Hooper debates radio talk show host Mike Gallagher about the controversy over planned advertisements in the New York subway system designed to educate travelers about Islam and Muslims.
Video Rating: 4 / 5

Whitney experiences trini maxi taxi transportation, and realizes that its not all what its cracked up to be.

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Video Rating: 5 / 5

DDB UK unveil our new advertising campaign for virgin Media, ‘A More Exciting Place to Live’. Celebrating families, couples, professionals and friends making the most of the digital world, the ad gives us a glimpse into every room in the home where we see people listening to music, watching films, staying in touch, learning, sharing and living in the digital world. The ad features lyrics from the Madness anthem ‘Our House’ set to the soundtrack of Dan Black’s ‘Symphonies’. Richard Larcombe, advertising and sponsorship director at Virgin Media, said: “Our new campaign celebrates the integral role technology plays as part of life today. People are using more services, devices and gadgets more of the time and Virgin Media is helping families lead a limitless digital life. We’re enabling the next generation of digital entertainment and putting our brilliant services at the heart of UK homes. With superfast broadband, next generation TV and innovative mobile services, a Virgin Media world is a more exciting place to live.” The ads are part of a multi-million pound media campaign, including outdoor, social media and online, print and radio. Virgin Media’s ‘A More Exciting Place to Live’ launches on www.virginmedia.com on Friday 4th February. Virgin Media will then takeover Facebook’s homepage on Saturday and launch a dedicated online destination at www.virginmedia.com, enabling visitors to explore a range of interactive videos and helping to bring Virgin Media’s next generation …
Video Rating: 5 / 5

***RATE & SHARE PLEASE**** Schools Lie to Parents and Children, Say Vaccinations are Mandatory Summer is coming to a close and public schools all over the country are re-opening to welcome students back into classrooms, but not before they have gotten their shots. Schools everywhere tell parents that their children are must have some nearly 40 vaccines before they can “legally” be permitted to attend school. This is all a lie. There has never been a law that one has to be vaccinated to attend public schools. School districts across the country have policies that have been deceptively concocted by the Federal government to appear to reflect the law but these policies merely reflect the color of the law. They are frauds. For the last three years, the country marks mid-summer by the start of an ominous drumbeat: Announcements reminding parents to vaccinate their children are on the radio and plastered across the front pages of newspapers. They festoon public parks and swimming pools. RELATED: Texans have choice in vaccination alternatives Exclusions from Immunization Requirements Deadly immunity ABC News Killed Interviews with Robert Kennedy on Mercury in Children’s Vaccines Robert F. Kennedy Jr. speaks out about Vaccinations causing Autism Vaccines and autism UK chemist tilts at autism’s origins In Austin, Texas alone, there are dozens of television reports telling you of “free vaccination clinics in public parks and gymnasiums,” warning you that your children must be …

When the doctor says the weights got to go What’s the name you ought to know? When the scale is high and your mood is low Where’s the place You’ve got to go? Can’t see your toes ’cause they’re out of sight Don’t get down, we’ll make it right. Set down the remote, mouse, donut, and pie Come to the square, give us a try When you start to move, bench, lift, bend- oh, my You’ll start to feel like you could fly…. I wouldn’t lie Come & see what you can be!Princeton Fitness 24 / 7 fitness 24 / 7 tanning New incline treadmills go up to an INSANE 30 degrees! Smith Machine, Power Rack, Cross over Cable Station PF is huge- it spans 2 buildings on the historic town square in Princeton, Indiana (Gibson County). Owned/ operated by Jennifer, a local business owner. 9000 square feet & 4 floors of space- cardio, tons of free weights, benches, Sprint Circuit machines, 7 heavy bags hanging. See before & after pictures of the Biggest Losers at myspace.com/princetonfitness & videos of the quarterly Strong Man competitions at youtube.com/princetonfitness Our rates are low enough that everyone can afford us, with memberships starting at only .50/wk. Full access is only .50/wk. Sign up with someone else & save- full access for 2 is only /wk. The atmosphere is old school, where 100-year-old architectural charm meets modern convenience. If you’ve never been inside (or haven’t been in the last 3 months) you should check it out. Even members who come in once a week are surprised by the …
Video Rating: 3 / 5

Mitch Barrett is one of the most talented singer songwriters in Kentucky … or anywhere else, as far as that’s concerned. His approach to lyrical storytelling is rooted in authentic experience, and his music reflects his Appalachian heritage and values — an agrarian work ethic, simple living, the importance of family, and celebrating the joys and struggles of everyday life through music and song. Mitch is a keen observer of life and a riveting performer, and he deftly laces together his thought-provoking subject matter with a satirist’s sense of wit and irony. During his 25-year career, Mitch has played festivals and concert halls from coast to coast, including The Freight & Salvage, The Birchmere, Woodsongs Old Time Radio Hour, Merlefest, and the Kennedy Center. He also has won many of the most prestigious songwriting competitions in the country, including the Rocky Mountain Folk Festival, Merlefest’s Chris Austin Songwriting Competition (won twice), and the NewFolk Competition. In June 2009, Mitch was awarded the title of ”Telluride Troubadour” at the 36th Annual Telluride Bluegrass Festival in Telluride, CO. The Telluride Troubadour Competition is a nationally recognized songwriter competition open to anyone who writes and performs original music and who is not currently signed to a major recording or publishing deal. Contestants are judged on the quality of the song’s composition, vocal delivery and the overall performance. Finalists are awarded cash and prizes …